Jimmy the Kid

Taking cues from a pulp novel, Dortmunder arranges a kidnapping

Kelp has a plan, and John Dortmunder knows that means trouble. His friend Kelp is a jinx, and his schemes, no matter how well intentioned, tend to spiral quickly out of control. But this one, Kelp swears, is airtight. He read it in a book.

In county lock-up for a traffic charge, Kelp came across a library of trashy novels by an author named Richard Stark. The hero is a thief named Parker whose plans, unlike Kelp and Dortmunder's, always work out. In one, Parker orchestrates a kidnapping so brilliant that, Kelp thinks, it would have to work in real life. Though offended that his usual role as planner has been usurped, Dortmunder agrees to try using the novel as a blueprint. Unfortunately, what's simple on the page turns complex in real life, and there is no book to guide him through the madness he's signed on for.

Review quote:

"Great entertainment." - Publishers Weekly

"[Westlake's] most durable character. Whatever can go wrong in the man's elaborate attempts at larceny invariably does, and in the most amusing and unexpected ways possible." - Los Angeles Times

"Westlake has no peer in the realm of comic mystery novelists." - San Francisco Chronicle

Biographical note:

Donald E. Westlake (1933-2008) was one of the most prolific and talented authors of American crime fiction. He began his career in the late 1950s, churning out novels for pulp houses- often writing as many as four novels a year under various pseudonyms- but soon began publishing under his own name. His most well-known characters were John Dortmunder, an unlucky thief, and a ruthless criminal named Parker. His writing earned him three Edgars and a Grand Master Award from the Mystery Writers of America.

Westlake's cinematic prose and brisk dialogue made his novels attractive to Hollywood, and several motion pictures were made from his books, with stars such as Lee Marvin and Mel Gibson. Westlake wrote several screenplays himself, receiving an Academy Award nomination for his adaptation of The Grifters, Jim Thompson's noir classic.